On “The Perks of Being a Wallflower”

The perks of being a flower

Here is a simple and touching storyline: Charlie is a wallflower, aka an introvert, lonely teenager who spends time reading, writing to a non-identified friend and connecting to the people in his life whom he lost. He also has a problem that he would not talk about. Discreet and consumed with inner demons, he hopes to make real friends. It is when he integrates a group of outsiders that his potential comes out and he finds the freedom to finally become himself.

One may criticise the film’s emotional overflow, because what really stands out in this movie is love, and some may be allergic to strong feelings exposure. But one cannot fail to admit that it is precisely this load of sensibility, along with excellent delivery from the actors and powerfully written lines that leave the audience hanging in sweet awe, long after the closing credits’ scrolling down is complete.

Yes, The Perks of Being a Wallflower is utterly expressive, allowing adolescence agonies to surface plentifully and prevail. It is also a conglomerate of life’s touching issues and struggles, of basic realities that we are so bad at acknowledging. Everyday paradoxes are highlighted here: we all know that nobody can save anybody, yet we try. We all know that we must end-up a dead-end relationship, but turning the page is wearisome. We would all like to be seen by the person we love and we would all like to possess that nonexistent remote-control with a “Love me and not somebody else” button to press on until it works. This is the movie’s recipe for timelessness and inspiration. Resolutely a must see.

You see things. You understand. You are a wallflower.

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